![]() They win the competitions they receive the adulation they are Number One, baby! They are able to play difficult compositions eighty percent perfectly with little effort. Having a good ear is not the same thing as musical insight.Īnother problem relating to emerging from the prodigy stage: child stars become accustomed to being the most successful performer wherever they are. Musical compositions which express profound insights about love, loss and life are beyond the ken of a nine year old and that's just how it is. It's apery it's mimicry it's the result of carefully imitating some adult's interpretation, be it from the teacher or some recording. Children who have been learning complicated masterworks without really knowing how they were doing it can fall into a similar state of paralysis.įurthermore, that "unusual musical maturity" you think you detect in the oh-so-polished phrasing of a Chopin Nocturne or Paganini Etude is not organic maturity at all. Child pianists memorize intuitively, by ear adult professionals memorize in the framework of an analytical system. This syndrome is the norm for talented kiddies. There was once a centipede who was asked, "When you walk, in what order do you move your many legs?" The poor bastard had never thought about that, and became so self-conscious he never walked again. So many reasons.įor one thing, the great majority of child performers will eventually crash and burn attempting to make the transition from intuitive tot to analytical adult. But most professionals in the classical music arena look askance at pint-sized virtuosi. You know that NPR program "From The Top", featuring adolescent or pre-adolescent performers stunning us with their "maturity" and precocity? You can keep 'em I have no interest, especially when it comes to the miniature singers. on national television? Yeah, it's impressive. Six year old violinists playing Mendelssohn ten year old pianists playing Rachmaninov and especially * shudder* twelve year old girls belting out operatic arias. For that, we can remain thankful.I'm going to let all you music-lovers in on a little secret: we professional musicians don't have much use for the phenomenon of the Child Prodigy. As a parent I'm still open to everything, I don't tell her that she must be a pianist, I'm still open and whatever she wants to be is fine.”įor now, the pandemic may be holding the young prodigy back, but if it weren’t for lockdown we may never have heard her incredible music in the first place. “She doesn't really know what to do in the future. “She doesn’t even know what Carnegie Hall is but I tell her ‘you’re going to perform in front of many people’ and she seemed excited because she likes performing,” mum Nicole says. Read more: Watch a whole ensemble of child prodigies play Elgar’s Cello Concerto Unfortunately, due to Hall’s current requirement that all performers have COVID-19 vaccines, Xie’s performance is being postponed until 2022. Zhang, Brigitte began to participate in different reputable piano competitions.”īrigitte had some delightful Mozart planned for Carnegie. She plays piano joyfully and only after three months of study with Ms. “Brigitte enjoys taking on new challenges and learning new piano pieces. “After demonstrating a strong interest in music, Brigitte began her piano study at the age of three with top national piano educator Felicia Feng Zhang of Greenwich,” Nicole Sun writes of her daughter, on YouTube. Impromptu Carnegie Hall concert from evacuated performers during NYC blackout
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |